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St Edmund’s Church
Rochdale
Church of England
Anglicanism portal
St Edmund’s Church (or the Church of St Edmund) is a redundant church building located on Clement Royds Street in the Falinge area of Rochdale, in Greater Manchester, England. Commissioned by Rochdale’s local industrialist and Freemason Albert Royds, the construction of the building was completed to a high and rich specification in 1873, with an “enormous” cost of around £25,000 (£1.64 million as of 2013).[1][2] It is the only known church building in England so overtly dedicated to Masonic symbolism and is therefore unique within English architecture.[3]
Art critic Nikolaus Pevsner described the building as “Rochdale’s temple to freemasonry, a total concept as exotic as Roslin Chapel in Scotland”.[1] Because of the building’s craftsmanship, design and prevalent Masonic theme, St Edmund’s Church was designated by English Heritage as a Grade II* listed building in 1985. The church closed for worship in 2007, and in 2009, The Victorian Society identified the building as “unusual and extraordinary” but also critically endangered.[1] St Edmund’s heritage status was upgraded to a Grade I listing in 2010 in recognition of its unique Masonic architecture and exceptional architectural interest.[3]
St Edmund’s Church was commissioned by Albert Hudson Royds, a industrialist, banker and Freemason who belonged to Rochdale’s prominent Royds family of wool merchants, financiers of the Rochdale Canal.[3] Royds acquired a crossroads at the highest point of Rochdale and commissioned the Manchester-based practice of James Medland and Henry Taylor to design and construct a new church building “at a time when Freemasonry in Rochdale was a strong force and its members were stalwarts of the local community”.[3] The building was constructed between 1870-1873 at a cost between £22,000 (£1.45 million as of 2013),[3][2] and £28,000 (£1.84 million as of 2013),[1][2] at a time when a suitable parish church could have been built for £4,000 (£260 thousand as of 2013).[3][2]
References to the traditions of Masonry are everywhere at St Edmund’s, in the weathervane and lectern in particular.[1] The interior of the church is designed around the geometric form of a cube. A hammerbeam roof springs from the walls and is decorated with the Masonic symbols of pomegranates, lilies and water lilies. The church has an “elaborate set” of stained glass windows with the Masonic theme on the south side of the building dedicated to building and Freemasonry.[3] The Masonic theme climaxes in Royds Chapel, where the window depicts Nehemiah, Ezra and the Tyler, the guard of a Masonic Lodge, wielding the Tyler’s sword.[3] Solomon’s Temple is shown with a likeness of Albert Hudson Royds as one of the master masons. In the main body of the church, the lectern features three brass columns all with the symbolic tools of masoncraft engraved on the base.[3]
Many churches in Rochdale display reference to Freemasonry but none so prominently as St Edmund’s.[3] English Heritage designated St Edmund’s as a Grade II* listed building in 1985. The Victorian Society, the United Kingdom’s national charity responsible for the study and protection of Victorian and Edwardian arts and architecture, identified the building as “unusual and extraordinary” but also critically endangered, placing it among the nation’s top-10 endangered buildings.[1] The building was upgraded to a Grade I listed building by English Heritage in September 2010 largely due it being a rare example of Masonic architecture on a church, as opposed to a Masonic Lodge.[3] Nick Bridgland, Heritage Protection Team Leader for English Heritage in northern England said that “St Edmunds is unique as it merges the architectural style of Gothic revival with Masonic symbolism to create a building which is not only a successful parish church but also a temple to Freemasonry. The completeness of the Masonic scheme is unparalleled in England and the importance of this building is reflected in its Grade I listing”.[3]

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IT WAS NEVER ABOUT THE WEALTH/FORTITUDE OR VALOUR NOR RACIST NEIGHBOURS COUGHING: EXPERIMENTAL IMAGE CREATOR RUNNING THE GAMUT OF INSANE NONSENSE REGARDS THE DEVELOPMENT AND PRESENTATION OF THE PHOTOGRAPHIC IMAGE PER SE WHILST ENDEAVORING TO "GET ON WITH IT" WHILST ACKNOWLEDGING THAT PHOTOGRAPHY IS THE NADIR OF ARTISTIC/VISUAL DECEPTION... SAID PHOTOGRAPHER IS HELD AS THE ACME OF HIGH CONTEMPT THE ZENITH OF MISUNDERSTANDING AD NAUSEAM. A LOVER OF WINE WOMEN AND SONG, ALTERNATIVE PROCESSES AND THE HERE AND NOW.

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